Brief:
LƯƠNG Huệ Trinh is a Vietnamese multimedia composer and electroacoustic improviser. She completed her M.A. at Hamburg University of Music and Theatre, Germany, on a DAAD scholarship. Sound, for her, becomes an essential vehicle for cultural memory and lived experience, transforming listening into a visceral and poetic journey. This cross-cultural approach integrates traditional and experimental music elements, creating immersive sonic worlds enriched by field recordings gathered from her travels . Through digital processing, she transforms these diverse sources into multi-layered compositions that balance presence with abstraction, bridging the intimate and the universal.

LƯƠNG's practice encompasses multi-sensory performances where sound interweaves with visual elements, scenography, and site-specific works. She composes music for theater, dance, installations, experimental and animated films, live painting performances, and contemporary ensembles. International acclaim has followed through radio networks and performances at museums, festivals, and art universities across Asia, Europe, Oceania, North America, and Africa.

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Full:
LƯƠNG Huệ Trinh is a dynamic multimedia Vietnamese composer and electroacoustic improviser whose musical journey began at age 5. After entering the Vietnam National Academy of Music at 13 in 1998, she earned her Bachelor's in Jazz Keyboard in 2010. Her focus then shifted to electroacoustic music under the mentorship of Vietnamese composer Nguyễn Xuân Sơn (SonX).

From 2015 to 2018, LƯƠNG pursued advanced studies in Germany through a prestigious German Academic Exchange Service (DAAD) scholarship, completing New Techniques in Composition and a Master's in Multimedia Composition at the Hochschule für Musik & Theater Hamburg (HfMT). There, she studied under composers Georg Hajdu, Elmar Lampson, and Alexander Schubert.
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• Hoang hoải (2024-25)
  for three percussionists and tape. Duration: 23'
  Commissioned by Les Percussions de Strasbourg with the support of the Nguyễn Thiện Đạo Foundation, backed by the King Baudouin Foundation.
  Performed at Theatre de Hautepierre, Strasbourg - France.
  
• How can I be tender ? (2023)
  for Grain~bau solo. Duration: 9'30"
  Commissioned for the artistic research project Études for Live-Electronics 2023 - 2025 by Alex Hofmann - Institut für Musikalische Akustik Wienner Kangstil.
  Performed at Showcase Concert at the Future Art Lab - Klangtheater at University of Music and Performing Arts, Vienna - Austria.
• Đốm (2023)
  for two voices (traditional Vietnamese singing Ả Đào, experimental), Phách (wooden block), đàn Bầu, electronics, video & two performers. Duration: 10'
  s Commissioned for project TRAIECT IV Vietnam by Hannoversche Gesellschaft für Neue Musik (Hanover Society for New Music) - Germany.
  Performed at Sprengel Museum - Hannover, Overseas Museum - Bremen, Academy of Arts - Berlin, Germany; MotPlus - Saigon, Hàng Buồm Cuture and Arts Center - Hanoi, Ồ Ạt Oh Art festival 2024 - Saigon, Vietnam.
  
• The glance of a fox (2023)
  for accordion and electronics. Duration: 09'
  Commissioned by German accordionist Eva Zöllner.
  Performed at Alliance Française Accra - Ghana, Goethe Institut Ghana, and Paretzer Field Music, Ketzin - Germany.
  
• SLANTED SILHOUETTES (2023)
  for traditional and contemporary music & dance, electronic & acoustic music, spokenword poetry & acting, video & scenography. Duration: 90'
  a multicultural, multimedia and site-specific performance designed for Alliance Française Accra - Ghana with artists from Ghana, Vietnam, France, Togo, Germany & Cameroon.
  A production of Alliance Française Accra with the support from the French Embassy to Ghana, Canal +, Ibis Styles Hotel Accra, Sun Trade Beads, Yfm and Mx24 Tv.
  
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